![]() ![]() (Because this option uses software encoding, performance may be significantly slower than 8-bit hardware encoding.) (This option is available only on recent Mac computers that support hardware encoding of HEVC.)ġ0-Bit Color: Provides better picture quality but with larger file sizes. When Codec is set to HEVC, choose one of two options to set the color depth (the number of bits used to represent color in each color channel-red, green, and blue) of the output file:Ĩ-Bit Color: Provides a good balance between picture quality and file size. When Codec is set to H.264, this preset defaults to High. Profile: Use this pop-up menu to set the quality of compression used in the output file. Important: Not all options are available on all hardware. ![]() Render: When Cinematic mode metadata is present and the “Enable video pass-through” checkbox is not selected, you may choose to render the Cinematic mode video to the destination file. If the source file contains no Cinematic mode metadata, Ignore is selected and the menu is dimmed. Ignore: Ignores any Cinematic mode metadata in the source file. ![]() This preset is also enabled if “Camera log” in video properties in the Job inspector is set to a value other than None.Ĭinematic: Use this pop-up menu, available in macOS Monterey 12 or later, to specify how to handle metadata in video that was recorded in Cinematic mode (on iPhone models that support Cinematic mode video). This preset is enabled if the source is ProRes RAW and if “RAW to log” is set to a value other than None. Select a custom LUT to transform your video from one color space to another. This option is available only if the source is ProRes RAW.Ĭamera LUT: Use this pop-up menu to select the camera lookup table (LUT) applied to the source. You can also choose a manual preset to override the default. Choose Automatic to allow Compressor to choose the conversion method. RAW to log: Use this pop-up menu to select how ProRes RAW conversion is done. See Intro to wide color gamut and HDR in Compressor. The default option is Automatic, which allows Compressor to choose the best color space based on the applied preset. Options include standard color gamuts (viewable on all display devices, including legacy devices such as standard-definition and high-definition TVs and computer displays), wide color gamuts (for displays capable reproducing a wider range of colors, including most 4K TVs and newer Mac, iOS, and iPadOS devices), and wide color gamuts with high dynamic range (HDR). See Retiming options in Compressor.įield order: For presets that use the H.264 codec or HEVC codec, the field order is automatically set to Progressive (in which complete frames are scanned).Ĭolor space: Use this pop-up menu to convert the source media to a new range of colors reproducible on specific display devices. Pixel aspect ratio: For presets that use the H.264 codec or HEVC codec, the pixel aspect ratio is automatically set to Square.įrame rate: Use this pop-up menu to set the playback rate (the number of images displayed per second) for the output file. See Intro to modifying frame size in Compressor.Ĭenter crop for output aspect ratio: Select this checkbox to ensure that when changing the aspect ratio in the Frame size pop-up menu, the video remains centered in the new aspect ratio. For example, if you add a 10-second source file with a frame rate of 24 fps to Compressor, set the “Frame rate” property in the Video inspector to 25 fps, and then select “So source frames play at 25 fps” in the General inspector, the resulting duration of the transcoded clip (at 25 fps) will be 9 seconds and 15 frames.įor more information, see Retime video and audio using Compressor.įrame size: Use the pop-up menu in Compressor to set an automatically calculated frame size ( resolution) range for the output file. This property has no effect unless the “Frame rate” value in the Video inspector is different from the source file’s frame rate. So source frames play at fps: Nondestructively changes the playback speed of the clip without discarding frames or creating new frames. Enter a timecode duration in the field or click the arrows to increase or decrease the time. Enter a value in the percentage field or choose a preset value from the adjacent pop-up menu (with a down arrow). Set to percent of source using: Modifies the output clip’s speed by a percentage of the source clip’s speed. Sets the processing algorithm used to adjust the frame rate during transcoding. Use the command line to submit Compressor jobs.Transcode Final Cut Pro and Motion projects.Add and remove transcode presets from watch folders.Access watch folder settings and properties. ![]()
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